Hybrid Conferencee

International Conference on Sound Studies and Acoustic Research (ICSSAR - 26)

17th - 18th September 2026 | Rome, Italy

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Conference Notifications:

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Call for Papers Extended:
"The deadline for full paper submissions has been extended for the Research Plus International Conference in Rome. Submit your research by today to participate in one of the top conferences."
Certificate of Presentation:
"Present your research and receive a Certificate of Presentation to recognise your valuable contribution to the conference."
Abstract Submissions Open:
"Abstract submissions for the Rome event are now open! Don’t miss the chance to present your research. Submit now."
Networking with Global Experts:
"Engage with researchers and professionals from around the world at the Rome conference. Build collaborations and gain insights from leading experts."
Keynote Speaker Sessions:
"Don’t miss our Keynote Sessions in Rome, featuring global leaders and innovators sharing their knowledge."
Best Paper & Best Paper Presentation Award:
"Submit your paper and stand a chance to win the Best Paper Presentation Award. The winner will be recognized at the conference in Rome."
SDG-Inspired Conference Focus:
"Our conference will highlight research that addresses global sustainability, inclusive education, and solutions for environmental challenges."

Call for Paper

The ICSSAR aims to explore emerging trends and future directions in research and innovation. It provides a collaborative platform for researchers and professionals to share ideas that shape the future of their respective domains.

The conference highlights advancements in Music, encouraging innovative, solution-oriented research that addresses global challenges and technological evolution.

Authors are invited to submit papers addressing, but not limited to, the following areas:

01
Interdisciplinary approaches to sound studies
02
Acoustic ecology and environmental awareness
03
Cultural implications of soundscapes
04
Sound and identity in urban environments
05
Impact of technology on sound perception
06
Historical perspectives on sound studies
07
Sound art and cultural expression
08
Field recording practices in sound research
09
Sound and memory in cultural contexts
10
Innovations in acoustic research methodologies
11
Sound as a medium for social change
12
Cultural heritage and auditory experiences
13
Public engagement through sound installations
14
Sound studies in the digital age
15
Challenges in sound preservation practices
16
Sound and performance in cultural heritage
17
Ethics of sound research and documentation
18
Future directions in sound studies research
19
Sound design for immersive experiences
20
Collaborative sound projects in communities