Hybrid Conferencee

International Conference on Music Acoustics, Sound and Music Computing (ICMASMC - 26)

17th - 18th December 2026 | Ephesus, Turkey

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Conference Notifications:

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Call for Papers Extended:
"The deadline for full paper submissions has been extended for the Research Plus International Conference in Ephesus. Submit your research by today to participate in one of the top conferences."
Certificate of Presentation:
"Present your research and receive a Certificate of Presentation to recognise your valuable contribution to the conference."
Abstract Submissions Open:
"Abstract submissions for the Ephesus event are now open! Don’t miss the chance to present your research. Submit now."
Networking with Global Experts:
"Engage with researchers and professionals from around the world at the Ephesus conference. Build collaborations and gain insights from leading experts."
Keynote Speaker Sessions:
"Don’t miss our Keynote Sessions in Ephesus, featuring global leaders and innovators sharing their knowledge."
Best Paper & Best Paper Presentation Award:
"Submit your paper and stand a chance to win the Best Paper Presentation Award. The winner will be recognized at the conference in Ephesus."
SDG-Inspired Conference Focus:
"Our conference will highlight research that addresses global sustainability, inclusive education, and solutions for environmental challenges."

Conference Session Tracks

SDG Wheel

Aligned with

UN Sustainable Development Goals

This conference contributes to global sustainability by aligning its research discussions and academic sessions with key United Nations Sustainable Development Goals. It fosters knowledge exchange, innovation, and collaborative engagement.

SDG 3
SDG 3 Good Health and Well-being
SDG 4
SDG 4 Quality Education
SDG 9
SDG 9 Industry, Innovation and Infrastructure
Track 01

Advancements in Musical Acoustics

This track explores the latest research in musical acoustics, focusing on the physical principles governing sound production in various instruments. Contributions will include studies on instrument design, sound propagation, and the acoustic properties of different materials used in music-making.

Track 02

Computational Approaches to Music Performance Analysis

This session invites papers that utilize computational methods to analyze music performance, emphasizing techniques such as machine learning and signal processing. Discussions will center on the implications of these analyses for understanding musical expression and interpretation.

Track 03

Physics-Based Modeling in Music Synthesis

This track focuses on the application of physics-based modeling techniques in the synthesis of musical sounds. Participants will present innovative models that enhance the realism and expressiveness of synthesized music.

Track 04

Interactive Systems for Music Performance

This session will showcase interactive performance systems that integrate technology with live music. Papers will discuss the design and implementation of interfaces that facilitate real-time interaction between performers and digital systems.

Track 05

Sound and Music Computing in Education

This track addresses the role of sound and music computing in educational contexts, particularly in teaching music theory and performance. Contributions will examine innovative pedagogical approaches and the use of technology in enhancing music education.

Track 06

Spatial Sound and Immersive Audio Experiences

This session focuses on the development and application of spatial sound techniques in various contexts, including virtual reality and gaming. Papers will explore the impact of spatial audio on user experience and engagement.

Track 07

Auditory Display and Data Sonification

This track invites research on auditory display techniques and the sonification of data across different domains. Presentations will highlight the effectiveness of sound in conveying complex information and enhancing user interaction.

Track 08

Music Information Retrieval and Analysis

This session will cover advancements in music information retrieval, focusing on algorithms for automatic classification, recognition, and retrieval of musical content. Participants will discuss the challenges and future directions in this rapidly evolving field.

Track 09

Neuroscience of Sound and Music Perception

This track explores the intersection of sound, music, and neuroscience, examining how auditory stimuli are processed in the brain. Contributions will delve into cognitive and perceptual aspects of music, including emotional responses and memory.

Track 10

Technological Innovations in Music Preservation

This session focuses on technologies aimed at the preservation, access, and modeling of musical heritage. Papers will discuss methods for digitizing, archiving, and restoring historical music artifacts.

Track 11

Social Interaction and Music Computing

This track investigates the role of social interaction in sound and music computing environments. Contributions will explore how technology facilitates collaboration and community building among musicians and audiences.