Hybrid Conferencee

International Conference on Cinema, Memory, and Trauma Studies (ICCMYTS - 26)

23rd - 24th December 2026 | Adana, Turkey

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Conference Notifications:

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Call for Papers Extended:
"The deadline for full paper submissions has been extended for the Research Plus International Conference in Adana. Submit your research by today to participate in one of the top conferences."
Certificate of Presentation:
"Present your research and receive a Certificate of Presentation to recognise your valuable contribution to the conference."
Abstract Submissions Open:
"Abstract submissions for the Adana event are now open! Don’t miss the chance to present your research. Submit now."
Networking with Global Experts:
"Engage with researchers and professionals from around the world at the Adana conference. Build collaborations and gain insights from leading experts."
Keynote Speaker Sessions:
"Don’t miss our Keynote Sessions in Adana, featuring global leaders and innovators sharing their knowledge."
Best Paper & Best Paper Presentation Award:
"Submit your paper and stand a chance to win the Best Paper Presentation Award. The winner will be recognized at the conference in Adana."
SDG-Inspired Conference Focus:
"Our conference will highlight research that addresses global sustainability, inclusive education, and solutions for environmental challenges."

Conference Session Tracks

SDG Wheel

Aligned with

UN Sustainable Development Goals

This conference contributes to global sustainability by aligning its research discussions and academic sessions with key United Nations Sustainable Development Goals. It fosters knowledge exchange, innovation, and collaborative engagement.

SDG 3
SDG 3 Good Health and Well-being
SDG 4
SDG 4 Quality Education
SDG 10
SDG 10 Reduced Inequalities
Track 01

Cinematic Representations of Memory

This track explores how films depict personal and collective memories, examining the narrative techniques employed to evoke emotional responses. Scholars are invited to analyze the interplay between visual storytelling and memory construction in various cinematic contexts.

Track 02

Trauma and Its Cinematic Reflections

This session focuses on the representation of trauma in film, investigating how filmmakers portray psychological impacts on individuals and communities. Contributions may include analyses of specific films or genres that address trauma through innovative narrative strategies.

Track 03

Historical Narratives in Film

This track examines the role of cinema in shaping historical memory and representation, considering how films interpret and reconstruct historical events. Papers should engage with the implications of these representations for contemporary understandings of history.

Track 04

Visual Storytelling and Audience Engagement

This session investigates the relationship between visual storytelling techniques and audience reception, focusing on how cinematic elements influence viewer interpretation of memory and trauma. Researchers are encouraged to explore case studies that highlight this dynamic.

Track 05

Cultural Memory and Film

This track delves into the concept of cultural memory as represented in cinema, analyzing how films contribute to collective identity and societal narratives. Contributions may include discussions on the role of film in preserving or challenging cultural memories.

Track 06

Documentary Film as a Medium of Memory

This session focuses on the unique capabilities of documentary film to address themes of memory and trauma, examining how factual storytelling can evoke emotional and psychological responses. Papers should consider the ethical implications of representing real-life experiences.

Track 07

Film Theory and Trauma Studies

This track invites critical engagement with film theory in the context of trauma studies, exploring how theoretical frameworks can enhance our understanding of cinematic representations of trauma. Scholars are encouraged to propose innovative theoretical approaches to film analysis.

Track 08

Narrative Analysis of Trauma in Cinema

This session emphasizes narrative analysis as a tool for understanding the complexities of trauma representation in film. Participants are invited to dissect narrative structures and their effectiveness in conveying traumatic experiences.

Track 09

Social Trauma and Cinematic Discourse

This track examines the intersection of social trauma and cinematic discourse, focusing on how films reflect and shape societal responses to collective trauma. Contributions may include analyses of specific films that address social issues through a trauma lens.

Track 10

Audience Studies in Film and Memory

This session explores the role of audience studies in understanding the reception of films that deal with memory and trauma. Researchers are encouraged to investigate how different demographics interpret and engage with these films.

Track 11

The Role of Genre in Memory and Trauma Representation

This track investigates how different film genres approach themes of memory and trauma, considering the conventions and expectations that shape audience experiences. Papers may analyze genre-specific techniques and their impact on narrative delivery.