Hybrid Conferencee

International Conference on Film, History, and Collective Memory (ICFHCM - 26)

19th - 20th October 2026 | Surabaya, Indonesia

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Conference Notifications:

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Call for Papers Extended:
"The deadline for full paper submissions has been extended for the Research Plus International Conference in Surabaya. Submit your research by today to participate in one of the top conferences."
Certificate of Presentation:
"Present your research and receive a Certificate of Presentation to recognise your valuable contribution to the conference."
Abstract Submissions Open:
"Abstract submissions for the Surabaya event are now open! Don’t miss the chance to present your research. Submit now."
Networking with Global Experts:
"Engage with researchers and professionals from around the world at the Surabaya conference. Build collaborations and gain insights from leading experts."
Keynote Speaker Sessions:
"Don’t miss our Keynote Sessions in Surabaya, featuring global leaders and innovators sharing their knowledge."
Best Paper & Best Paper Presentation Award:
"Submit your paper and stand a chance to win the Best Paper Presentation Award. The winner will be recognized at the conference in Surabaya."
SDG-Inspired Conference Focus:
"Our conference will highlight research that addresses global sustainability, inclusive education, and solutions for environmental challenges."

Conference Session Tracks

SDG Wheel

Aligned with

UN Sustainable Development Goals

This conference contributes to global sustainability by aligning its research discussions and academic sessions with key United Nations Sustainable Development Goals. It fosters knowledge exchange, innovation, and collaborative engagement.

SDG 3
SDG 3 Good Health and Well-being
SDG 4
SDG 4 Quality Education
SDG 9
SDG 9 Industry, Innovation and Infrastructure
Track 01

Revisiting Film History: Methodologies and Approaches

This track explores innovative methodologies in film history research, emphasizing interdisciplinary approaches that integrate historical analysis with contemporary film studies. Participants are encouraged to present case studies that highlight the evolution of cinematic narratives and their societal implications.

Track 02

Collective Memory and the Cinematic Experience

Focusing on the interplay between collective memory and film, this track invites discussions on how cinema shapes and reflects shared cultural narratives. Papers may analyze specific films or genres that contribute to the construction of collective identities and historical consciousness.

Track 03

Documentary as a Tool for Historical Representation

This session examines the role of documentary films in representing historical events and figures, emphasizing their impact on public memory. Contributions should address the ethical considerations and narrative strategies employed in documentary filmmaking.

Track 04

Cultural Memory in Visual Media

This track investigates the concept of cultural memory as it manifests in various visual media, including film, television, and digital platforms. Presentations should explore how visual narratives contribute to the preservation and transformation of cultural heritage.

Track 05

Narrative Structures in Historical Cinema

This session focuses on the narrative techniques employed in historical films, analyzing how these structures shape audience perceptions of the past. Papers may explore the tension between factual accuracy and artistic interpretation in historical storytelling.

Track 06

Film Theory and Historical Contexts

This track invites discussions on the intersections of film theory and historical contexts, examining how theoretical frameworks can enhance our understanding of historical films. Participants are encouraged to engage with both classical and contemporary film theories in their analyses.

Track 07

Archival Research in Film Studies

Focusing on the significance of archival research, this session highlights the importance of primary sources in film studies and historical analysis. Presenters should discuss their findings from archival investigations and the implications for understanding film history.

Track 08

Memory Studies and the Impact of Cinema

This track explores the relationship between memory studies and cinema, investigating how films influence individual and collective memories. Papers should consider the psychological and sociocultural effects of cinematic representations on audiences.

Track 09

Societal Impact of Historical Films

This session examines the societal impact of films that engage with historical themes, analyzing how they shape public discourse and cultural perceptions. Contributions should address the role of film in fostering historical awareness and critical reflection.

Track 10

Visual Culture and Historical Narratives

This track investigates the role of visual culture in constructing historical narratives, focusing on the interplay between film and other visual media. Participants are encouraged to explore how visual representations inform and challenge historical understandings.

Track 11

Interdisciplinary Approaches to Film and Memory

This session promotes interdisciplinary dialogue among scholars from various fields, including history, cultural studies, and media studies, to explore the intersections of film and memory. Presentations should highlight collaborative research efforts that enrich our understanding of cinematic representations of the past.