Hybrid Conferencee

International Conference on Memory, Film, and Visual Culture (ICMFVC - 26)

31st - 1st November 2026 | San Francisco, USA

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Call for Papers Extended:
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Certificate of Presentation:
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Abstract Submissions Open:
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Networking with Global Experts:
"Engage with researchers and professionals from around the world at the San Francisco conference. Build collaborations and gain insights from leading experts."
Keynote Speaker Sessions:
"Don’t miss our Keynote Sessions in San Francisco, featuring global leaders and innovators sharing their knowledge."
Best Paper & Best Paper Presentation Award:
"Submit your paper and stand a chance to win the Best Paper Presentation Award. The winner will be recognized at the conference in San Francisco."
SDG-Inspired Conference Focus:
"Our conference will highlight research that addresses global sustainability, inclusive education, and solutions for environmental challenges."

Conference Session Tracks

SDG Wheel

Aligned with

UN Sustainable Development Goals

This conference contributes to global sustainability by aligning its research discussions and academic sessions with key United Nations Sustainable Development Goals. It fosters knowledge exchange, innovation, and collaborative engagement.

SDG 3
SDG 3 Good Health and Well-being
SDG 4
SDG 4 Quality Education
SDG 9
SDG 9 Industry, Innovation and Infrastructure
Track 01

Cinematic Representations of Memory

This track explores how films depict memory through narrative structures and visual aesthetics. It aims to analyze the interplay between cinematic techniques and the representation of personal and collective memories.

Track 02

Visual Narratives and Identity Formation

This session focuses on the role of visual narratives in shaping individual and collective identities. It invites discussions on how film and visual culture influence perceptions of self and community.

Track 03

Historical Memory in Film

This track examines the representation of historical events in cinema and its impact on collective memory. Scholars are encouraged to analyze how films construct, challenge, or reinforce historical narratives.

Track 04

Digital Media and Memory Construction

This session investigates the role of digital media in the creation and dissemination of memory. It seeks to understand how online platforms and technologies reshape our engagement with personal and cultural memories.

Track 05

Audience Reception and Memory

This track delves into audience studies to explore how viewers interpret and engage with memory in film and visual culture. It aims to uncover the dynamics between audience reception and the construction of memory.

Track 06

Storytelling and Memory in Visual Culture

This session focuses on the narrative techniques used in visual culture to convey memory. It invites papers that analyze the storytelling methods that evoke emotional and cognitive responses related to memory.

Track 07

Memory Politics in Film and Media

This track examines the intersection of memory and politics within cinematic and media representations. It encourages discussions on how films engage with political narratives and the implications for historical memory.

Track 08

Cinematic Memory and Trauma

This session explores the representation of trauma in film and its relationship to memory. Scholars are invited to analyze how cinematic portrayals of trauma shape collective and individual memory.

Track 09

Cultural Memory and Visual Storytelling

This track investigates the concept of cultural memory and its manifestation in visual storytelling. It aims to explore how cultural narratives are constructed and transmitted through film and visual media.

Track 10

Film Theory and Memory Studies

This session engages with film theory to explore the conceptual frameworks surrounding memory in cinema. It invites critical analyses that bridge theoretical perspectives with practical film examples.

Track 11

Representation of Memory in Global Cinema

This track examines how different cultures represent memory in their cinematic practices. It encourages comparative studies that highlight the diversity of memory narratives across global film traditions.