Hybrid Conferencee

International Conference on Drama, Theatre, and Narrative Theory (ICDTNT - 26)

1st - 2nd October 2026 | Beijing, China

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Call for Papers Extended:
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Certificate of Presentation:
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Abstract Submissions Open:
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Networking with Global Experts:
"Engage with researchers and professionals from around the world at the Beijing conference. Build collaborations and gain insights from leading experts."
Keynote Speaker Sessions:
"Don’t miss our Keynote Sessions in Beijing, featuring global leaders and innovators sharing their knowledge."
Best Paper & Best Paper Presentation Award:
"Submit your paper and stand a chance to win the Best Paper Presentation Award. The winner will be recognized at the conference in Beijing."
SDG-Inspired Conference Focus:
"Our conference will highlight research that addresses global sustainability, inclusive education, and solutions for environmental challenges."

Conference Session Tracks

SDG Wheel

Aligned with

UN Sustainable Development Goals

This conference contributes to global sustainability by aligning its research discussions and academic sessions with key United Nations Sustainable Development Goals. It fosters knowledge exchange, innovation, and collaborative engagement.

SDG 4
SDG 4 Quality Education
SDG 5
SDG 5 Gender Equality
SDG 9
SDG 9 Industry, Innovation and Infrastructure
Track 01

The Evolution of Identity in Contemporary Drama

This track explores how modern playwrights navigate the complexities of identity through character development and narrative structure. Participants will analyze the interplay between personal and collective identities within various cultural contexts.

Track 02

Symbolism and Aesthetics in Theatre

Focusing on the role of symbolism in theatrical performances, this track invites discussions on how aesthetic choices influence audience interpretation. Scholars will examine the relationship between visual elements and narrative depth in contemporary and classical works.

Track 03

Memory and Narrative in Performance Art

This session investigates the ways in which memory shapes narrative in performance art, emphasizing the role of recollection in storytelling. Papers will address how performers utilize personal and cultural memories to create impactful narratives.

Track 04

Cultural Studies and the Representation of Marginalized Voices

This track aims to highlight the representation of marginalized communities in drama and theatre, examining how narratives challenge dominant cultural discourses. Participants will engage with texts that foreground issues of race, gender, and class in performance.

Track 05

Tradition and Innovation in Narrative Theory

Exploring the tension between tradition and innovation, this session will focus on how contemporary narratives draw from and redefine classical storytelling techniques. Scholars will discuss the implications of this interplay for understanding narrative forms.

Track 06

The Role of Performance in Shaping Cultural Memory

This track examines how performance acts as a medium for shaping and preserving cultural memory within communities. Discussions will center on the ways in which theatrical practices contribute to collective identity and historical consciousness.

Track 07

Textual Analysis of Modern Playwrights

Focusing on the works of contemporary playwrights, this session invites participants to engage in detailed textual analysis to uncover underlying themes and narrative techniques. The aim is to deepen understanding of how these texts reflect and critique societal norms.

Track 08

Storytelling Techniques in Digital Theatre

This track explores the innovative storytelling techniques employed in digital theatre, highlighting the intersection of technology and narrative. Participants will analyze how digital platforms transform traditional narrative forms and audience engagement.

Track 09

Aesthetic Experience and Audience Reception

Investigating the relationship between aesthetic experience and audience reception, this session will delve into how various theatrical elements influence viewer interpretation. Scholars will discuss the implications of audience engagement for narrative understanding.

Track 10

Literary Criticism and the Analysis of Dramatic Texts

This track focuses on the application of literary criticism to the analysis of dramatic texts, exploring various critical frameworks. Participants will engage with the nuances of interpreting plays through different theoretical lenses.

Track 11

The Intersection of Narrative and Performance in Cultural Studies

This session examines the intersection of narrative and performance within the field of cultural studies, emphasizing how narratives are performed and perceived in different cultural contexts. Scholars will explore the implications of this intersection for understanding identity and representation.